Former Marine Louanne Johnson lands a gig teaching in a pilot program for bright but underachieving teens at a notorious inner-city high school. After having a terrible first day, she…

He’s one of the hardest working filmmakers in the genre business…….So what’s HATCHET man Adam Green been up to this past year apart from working on his sit-com ‘Holliston’, writing…

“The Motorcycle Diaries” is based on the journals of Che Guevara, leader of the Cuban Revolution. In his memoirs, Guevara recounts adventures he, and best friend Alberto Granado, had while…

The first woman rabbi in the world, Regina Jonas, comes to light, courtesy of Rachel Weisz – who plays her – and her father George Weisz, who was the executive…

Can scandalous art still serve God? Does suffering precede all greatness? Can illness be a blessing? In 1950, writer Flannery O’Connor visits her mother Regina in Georgia when she is…

In 1857, at the height of his fame and fortune, novelist and social critic Charles Dickens meets and falls in love with teenage stage actress Nelly Ternan. As she becomes…

In 1931, following the success of the film Battleship Potemkin, Soviet filmmaker Sergei Eisenstein travels to the city of Guanajuato, Mexico, to shoot a new film. Freshly rejected by Hollywood,…

The Imjin War reaches its seventh year in December of 1598. Admiral Yi Sun-shin learns that the Wa invaders in Joseon are preparing for a swift withdrawal following the deathbed…

The film follows five senior athletes along their biggest challenge – maturity. As all of them are between 80 and 100 years old it is a race against time and…

Based on a true story about the collapse at the mine in San Jose, Chile that left 33 miners isolated underground for 69 days.

A wall can be a barrier. It can be a structure of limitation or a source of repression. For the Inside Out Project, a wall is a canvas, and so…

The true story of how businessman Oskar Schindler saved over a thousand Jewish lives from the Nazis while they worked as slaves in his factory during World War II.